I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
I am always on the verge of returning home. Sometimes, it’s the food; other times, it’s the memory. I am not from New Orleans, but this book is phenomenal in its guidance of a city and what it means to name any place home.
From its onset, this collection moves through music and mythology as a means for sorting through devastation while placing life a step ahead of it.
I’d recommend this book to any seasoned (or first) reader of poetry on the search for beauty around the corner and a reminder of how close we are to it.
Love is made more possible by every violence it has overcome.
Throughout Summerhill’s sophomoric collection, I found myself turning toward play, both in the pause that suddenly arrived after a line that hits and in the music I turned on after a line that urged reconsideration.
Even for the avid fan of Frank Ocean’s discography, this book serves as a vital push toward questioning what it is we deem valuable. A must-read for self-declarations of grace and hope in the face of racial, historical, and social brutality.
A poetry collection that celebrates Black culture, creativity, and memory.
From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.
Noting my fortune to have been a reader of this book before its official surfacing to the national public, I was first drawn to those poems that again gave me back my memory. Poems reminisced on Migos, Blu & Exile, and others.
Soon after, it's display of self-portraiture unfolded into a mastery of wit, celebrating how music is always a task of discovery first.
“I saw stranger; looked again, I saw friend,” Watkins writes with an intelligence marked by the fruit of reorientation and heart that comes with inhabiting and celebrating your own tribe.
Poems on Black joy, masculinity, and the music that transforms a space into a home
Jorrell Watkins's debut poetry collection is a polyvocal, musically charged disruption of the United States's fixation on drug and gun culture. The poems in Play|House embody many identities, including son, brother, fugitive, bluesman, karate practitioner, and witness. Throughout, Watkins inflects a Black/trap vernacular that defamiliarizes the urban Southern landscape. Across three sections of poetry scored by hip-hop, blues, and trap, Watkins considers how music is a dwelling and wonders which histories, memories, and people haunt each home. Past figures such as John Coltrane, Billie Holiday,…
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
The irony of transformation often is that we mistake it to have occurred long before it does.
This book examines privilege and its underside with the realization that growth remains ever ahead of us. Examining the themes of Black identity, accountability, and narration, we encounter a series of revealing snapshots into the role language plays in chiseling possibility and its rigid command of depiction. In the name of music and self-identity, the speaker weaves their way through fault and how it amends Black life in America.
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more on topic, but it would be more accurate to say that I wrote a book about SS men as husbands and fathers.
From 1931 to 1945, leaders of the SS, a paramilitary group under the Nazi party, sought to transform their organization into a racially-elite family community that would serve…
From 1931 to 1945, leaders of the SS, a paramilitary group under the Nazi party, sought to transform their organization into a racially-elite family community that would serve as the Third Reich's new aristocracy. They utilized the science of eugenics to convince SS men to marry suitable wives and have many children.
Marriage and Fatherhood in the Nazi SS by Amy Carney is the first work to significantly assess the role of SS men as husbands and fathers during the Third Reich. The family community, and the place of men in this community, started with one simple order issued by…
